A new book paints a lively picture of the Sugarloafers who banded together to carve out a town of their own in the heart of western Maine’s mountains.
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Cool Girl Collective sets itself apart by giving consignors more control over inventory and a bigger share of the profits.
At Shannon’s Unshelled, in Boothbay, customers can savor a lobster roll made with the state's love-it-or-hate-it soda.
The Down East chairman and former publisher counts Camden’s Bald Mountain as one of his most cherished places.
Her blooming backyard with a gabled cottage is straight out of a storybook.
Elsie Freeman’s rambling shore-front borders are filled with astilbes, coneflowers, heleniums, hydrangeas, and phlox.
Come September, plants appear ready to bust free of their beds in landscaper James McCain’s garden.
In a century of concert seasons, this year's lineup is one of many high notes.
The midcoast artist's Drift Rope Project is an homage to the working waterfront.
Laura Boyett likes to shop specialty nurseries for rare varieties of familiar perennials.
Jeremy Frey is the subject of the first-ever major retrospective of a Wabanaki artist. Amid the hype, he’s still able to lose himself in the steady rhythm of weaving in his home studio, where he’s forever cognizant of tribal basketmakers’ challenging history and tenuous future.
Molly Ahrens’s property dazzles with Monet-like dabs of color from more than 1,000 tulips.