The Georgetown Working League is holding their 100th annual fair in 2013. Quilt raffle, handmade items,collectibles, homemade baked goods, art, crafts, books, jewelry, white elephants, childrens activities, lunch. All proceeds benefit the town.

Jamie Wyeth’s connection to Monhegan dates to the late 1950s, when he first went there with his father, and he has continued to paint there ever since. His connection to fellow artist Rockwell Kent goes back nearly as far. Early in his career Wyeth bought several pen and ink drawings by Kent used as the sources for his illustrations to Moby Dick, one of Kent’s most renowned book illustration projects. Subsequently, Wyeth bought several of Kent’s paintings from his first period on the island around 1907.

The Bank of Maine proudly presents Elegant Enigmas: The Art of Edward Gorey opening on Friday, October 5, 2012, and continuing through December 29 on display at Portland Public Library’s Lewis Gallery. The exhibition is free of charge to the general public and features original illustrations, preparatory sketches, unpublished drawings and ephemera by the internationally celebrated artist and author Edward Gorey. This highly acclaimed exhibit is made possible by generous support from The Bank of Maine and a collaboration between Maine College of Art (MECA) and Portland Public Library.

On a rainy afternoon, a long-married couple’s quiet routine is disrupted by the appearance of an enigmatic young stranger and her boyfriend. But what at first seems to be a ridiculous annoyance soon turns to deeper curiosity, as all four begin to question where they’re going…and where they’ve been.

In 1925, no one in New York City was more surprised than Murdock Pemberton—a newspaper reporter, Broadway publicist, playwright, and poet with no formal training in art or connoisseurship—when an upstart magazine, The New Yorker, named him its first art critic. Exposés of the Metropolitan Museum of Art, collector Andrew Mellon, and “plush-hung” commercial galleries—written for The New Yorker and other national publications—thrust Mr. Pemberton into the limelight as a David among the philistines, his favorite role.

Recorded in 2008’s year of continental excess and governmental Spending Gone Wild, The Tragically Hip’s latest album, We Are the Same, brings its listeners something beyond the unexpected: actual hope. Gord Downie’s lyrics—backed by a band ripe with confidence and skill—tackle what we might assume had passed far under the bridge. Should a first listen be given to a person recently hatched from a time capsule, or a pod sent from beyond Mars, she might believe that our essential uniting tenet, faith in humanity, still exists.